天使爱上恶魔: September 2008

Sunday, September 28, 2008

妈妈米亚

没有红磨坊华丽的背景,
没有芝加哥嫌疑的故事,
没有剧院鬼魅的巨作。

这只是一部故事很简单,却感情浓郁的温馨小品。
来自瑞典的ABBA乐队的歌曲,不难让不少人勾起共鸣,或许有许多歌,很多人都不知道它的原唱者是谁。还有故事背景环绕着地中海浓郁的小岛,人物活跃,感情丰富。

其中一首,让我感动的一段,就是Donna拒绝Sam的那一段,真的可以感受那份痛……

Monday, September 22, 2008

甜蜜的雨

生命中,
有些事情一点都不特别,
但是它很重要……

终于看完金帅主演的死神,
看了三次才看完,之前两次是看到睡着 ZzZzzz……
看完最后一段时,真的有感动,
抱着信念,人生才不会有遗憾……

不是所有的东西都必须“特别”,
而是它在你我心中,
是否占有“重要”的席位……

Thursday, September 11, 2008

摄影师讲座

改一下,不是‘摄影讲座’,是关于‘摄影师’的讲座……


Date Saturday 13thSeptember 2008
Time 8pm
Venue Lost Generation space

German artist Natascha Borowsky and Malaysian artist Minstrel Kuik Ching Chieh will each introduce their work. Though both artists work with a camera, their approach and ideas lead to quite a different body of images. Subsequently the artists will talk about their previous experiences with artist residencies in France and Germany, discuss the benefits/problems and share information on places to go
.

Natascha Borowsky, born in Germany, is currently working as artist-in-residence at The Lost Generation Space on invitation of the Goethe Institute, Kuala Lumpur and The Lost Generation Space. She studied with Bernd and Hilla Becher at theAcademy of Arts, Düsseldorf, Germany, graduating as master student. Her work has been exhibited in museums and galleries in Germany and abroad.
Since 2006, she has been teaching at the University of Krefeld, Germany.
The approach to her work being a conceptual one, the artist is engaged in an ongoing project, using found objects and material and an analogue large format camera.

Minstrel Kuik Ching Chieh, born Malaysian, has a bachelor degree in painting from the National Taiwan Normal University in Taiwan. Later, she went to France and graduated from The Ecole Nationale Supérieure de la Photographie of Arles and from The Ecole des Beaux-Arts de Versailles, France. She has been active in the Malaysian art scene since her return to the country by being featured in three collective exhibitions: "Sharing Space-Contemporary Photography of Malaysia + Japan" and "Pass the picture" at the Annex Gallery, "Entry Points" program at the 1948 art space, and one on going solo exhibition "See the water" at the Alliance Francaise in KL.
As a jet-lagged artist and photographer, Minstrel Kuik experiments with the syndrome of desynchronosis of her epoch. By using herself as the bridge of the in-betweens, she goes into the external conflicts between day and night, here and there, self and otherness, sex and gender, individual and nation… Recently, being and time.